Regina | Lucy Geronime

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LUCY GERONIME

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REGINA

March 2019 - June 2020 || contains blood and gore

DEVELOPMENT

A digital sketch page containing various sketches in a rough red digital pen of a round cartoon chicken with bulging eyes. She is in various poses; her head pops into frame from the edge of the page in some spots. Basic construction of the figure is shown, as well as a colored-in version of the finalized construction: Her feathers are beige, and her eyes are blue.

A digital illustration of a young girl at sunset in a chicken run. She is shown close-up; her freckled face and light-brown pigtails are lit up by the setting sun. There is chicken wire behind and in front of her, out of focus. Eyes wide, she appears deeply concerned and scared about something.

A digital sketch page of shoulders-up character design on the left and color and background design on the right. The portraits are linework and color tests respectively of two characters: a young girl with light-brown pigtails, tan skin, freckles, and excited brown eyes, wearing overalls over a yellow shirt, who looks right at the camera with a bright smile; and an older girl with shoulder-length thin wavy brown hair, paler skin, freckles, and large blue eyes, wearing overalls over a pale blue shirt, who looks off toward the figure next to her with some exhaustion and skepticism. The background to their right is a rough sketch of their farm at sunset: chicken run in the foreground, a piece of the farmhouse behind it, and behind all that, abstract lines representing a wheat field.

A digital illustration of the yellow-shirt girl from here onward referred to as Daisy. She is facing front and center, framed by the chicken wire behind her and lit on screen left by the setting sun. Her eyes are closed, her expression resigned and miserable.

A digital illustration of the dark-haired girl from here onward referred to as Rosa, now in a pink shirt. She is standing behind a yellow-lit window on stage right, staring out of the farm house window at something with great concern. The thin square window panes seem to trap her.

A digital illustration of the white chicken from here onward referred to as Regina. She is close in frame, laying on a stump in the chicken run with a strap holding down her neck. Lit softly by the setting sun, she turns her head and stares blankly at the camera, a mesh of chicken wire behind her.

A rough sketched storyboard in Sharpie and pencil of a wheat field at sunset, the sun a simple disc behind rows of abstract curving wheat

A rough sketched storyboard in Sharpie and pencil of Daisy in the chicken run facing the camera with her pained, closed-eyed expression of resignation.

A rough sketched storyboard in Sharpie and pencil of Rosa behind the window of the farmhouse, watching with stress.

A rough sketched storyboard in Sharpie and pencil from Daisy's perspective of taking Regina out of her coop. Held in Daisy's arms, she stares blankly at the camera.

A rough sketched storyboard in Sharpie and pencil of Regina staring at the camera as her head is pinned to the stump.

A digital background illustration from the perspective of the inside of the coop looking out at the run. The sky behind the chicken wire is a yellow-orange gradient, and the head of an axe is visible laying against the wire.

A wide-shot digital background illustration showing side of the chicken run; the porch of the farmhouse and Rosa's silhouette in the window can be seen behind, and the wheat field and sun can be seen behind them. The framing is even and balanced, the sun hanging right in the top center.

A digital background illustration of the opening of Regina's red coop. A bed of straw fades into the darkness of the opening.

A digital background illustration looking down on the stump in the chicken run. Two long nails stick out of it close together; the handle of the axe is visible leaning against the chicken wire on screen right.

A wide-shot digital background illustration looking down from a bird's eye perspective at the interior of the chicken run. From the stump now runs a trail of blood lit red-orange by the setting sun.

A digital background illustration at a dutch angle looking up toward the chicken wire roof of the run. Beyond it can be seen the top of the coop, the silhouetted wall of the farmhouse, and the yellow-orange sky.

The shot of Daisy facing the camera with her eyes closed, now finished and animated. After a pause, she lowers her head, eyebrows set in despair; her pigtails sway softly in the breeze.

The shot of Rosa watching from the farmhouse window, now finished and animated. She cocks her head to the side slightly as she blinks and presumably watches Daisy walk through the chicken run.

The shot of Regina looking back with her head pinned down on the stump, now finished and animated. The leather strap has been replaced with two nails; her one eye is positioned in frame between the nails as she blinks out of sync at the camera.

A finished and animated insert shot of the axe being raised and lowered, silhouetted by a large yellow sun taking up most of the background behind chicken wire mesh.

A finished and animated shot on the dutch-angle background of Daisy looking down at something. She exhales and lowers her head, mouth hanging open slightly, before breaking down and closing her eyes tight in a single heaving sob.

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©2025 Lucy Geronime

Last Updated: May 2, 2025

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